Committing to the Bit
I thought this piece from Isaac Butler examining how Daniel Day-Lewis goes about his acting work was really interesting.
I have always been haunted in some way by Day-Lewis. He is clearly among the greatest living screen actors, with a career that includes several performances that no one else could have accomplished at his level. But from when I quit acting through to when I wrote my own book on The Method, until now, I have always wondered whether the brilliance he is capable of requires the lengths to which he drives himself. As his techniques have been adopted by a whole generation of self-serious actors both good (Christian Bale) and not (Jared Leto), I have also come to wonder if the legends are even true. It turns out that the answers to both questions are far more complicated than I thought.
As someone who used to write quite a bit about relaxed concentration, I was especially interested in this bit:
Another reason, the one I find most persuasive, is that if you are able to live as fully as possible in the imagined reality of the character, you enter a flow state where you stop thinking and start doing and being. Day-Lewis struggles most in interviews to answer questions that require what he terms “objectifying,” or thinking outside of the headspace of the character. When he is on set, he wants to never be objective, to never interrupt the process of being and doing in order to think. When asked once about specific physical gestures he made in There Will Be Blood, he replied, “my decision-making process has to happen in such a way that I’m absolutely unaware of it, otherwise I’m objectifying a situation that demands something different.” When asked about the meaning of Bill the Butcher in Gangs of New York, he said he can’t answer the question, because “there was no conscious intention to show him as one way or another.”
This state of pure being is the actor’s equivalent of when great athletes are “in the zone,” or the trance that a jazz improviser enters when they’re really cooking. The name for it is a Russian word, perezhivanie, which means experiencing.
Tags: Daniel Day-Lewis · Isaac Butler · movies · relaxed concentration
I thought this piece from Isaac Butler examining how Daniel Day-Lewis goes about his acting work was really interesting.
I have always been haunted in some way by Day-Lewis. He is clearly among the greatest living screen actors, with a career that includes several performances that no one else could have accomplished at his level. But from when I quit acting through to when I wrote my own book on The Method, until now, I have always wondered whether the brilliance he is capable of requires the lengths to which he drives himself. As his techniques have been adopted by a whole generation of self-serious actors both good (Christian Bale) and not (Jared Leto), I have also come to wonder if the legends are even true. It turns out that the answers to both questions are far more complicated than I thought.
As someone who used to write quite a bit about relaxed concentration, I was especially interested in this bit:
Another reason, the one I find most persuasive, is that if you are able to live as fully as possible in the imagined reality of the character, you enter a flow state where you stop thinking and start doing and being. Day-Lewis struggles most in interviews to answer questions that require what he terms “objectifying,” or thinking outside of the headspace of the character. When he is on set, he wants to never be objective, to never interrupt the process of being and doing in order to think. When asked once about specific physical gestures he made in There Will Be Blood, he replied, “my decision-making process has to happen in such a way that I’m absolutely unaware of it, otherwise I’m objectifying a situation that demands something different.” When asked about the meaning of Bill the Butcher in Gangs of New York, he said he can’t answer the question, because “there was no conscious intention to show him as one way or another.”
This state of pure being is the actor’s equivalent of when great athletes are “in the zone,” or the trance that a jazz improviser enters when they’re really cooking. The name for it is a Russian word, perezhivanie, which means experiencing.
Tags: Daniel Day-Lewis · Isaac Butler · movies · relaxed concentration
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