Kara Walker Creates Haunted Beast From Butchered Confederate Statue

kottke.org October 19, 2025 By Jason Kottke

a sculpture of a monstrous figure

a sculpture of a monstrous figure

This is incredible: artist Kara Walker took a statue of Confederate general Stonewall Jackson that had stood in Charlottesville, Virginia until 2021, chopped it up, and reconstituted it into a disfigured beast. It’s part of an exhibition of several such works called Monuments, which opens at The Geffen Contemporary at MOCA in LA on October 23. From the press release:

In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was given to Kara Walker to create the new work Unmanned Drone (2023). The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.

Here’s the statue as it looked in Charlottesville:

a statue of Stonewall Jackson, astride his horse

Walker described the intent of the work in this NY Times piece:

She likened the result to a haint — a Southern concept with roots in Gullah Geechee culture that designates a spirit that has slipped its human form and roams about making mischief and exacting vengeance. Here, what is deconstructed is not just a statue but the myth of suppressed Confederate glory that it represents. Her sculpture, she suggested, “exists as a sort of haint of itself — the imagination of the Lost Cause having to recognize itself for what it is.”

The Guardian also has a long article on the show and Walker’s piece.

Tags: art · Kara Walker · remix · USA

💬 Join the discussion on kottke.org

a sculpture of a monstrous figure

a sculpture of a monstrous figure

This is incredible: artist Kara Walker took a statue of Confederate general Stonewall Jackson that had stood in Charlottesville, Virginia until 2021, chopped it up, and reconstituted it into a disfigured beast. It’s part of an exhibition of several such works called Monuments, which opens at The Geffen Contemporary at MOCA in LA on October 23. From the press release:

In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was given to Kara Walker to create the new work Unmanned Drone (2023). The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.

Here’s the statue as it looked in Charlottesville:

a statue of Stonewall Jackson, astride his horse

Walker described the intent of the work in this NY Times piece:

She likened the result to a haint — a Southern concept with roots in Gullah Geechee culture that designates a spirit that has slipped its human form and roams about making mischief and exacting vengeance. Here, what is deconstructed is not just a statue but the myth of suppressed Confederate glory that it represents. Her sculpture, she suggested, “exists as a sort of haint of itself — the imagination of the Lost Cause having to recognize itself for what it is.”

The Guardian also has a long article on the show and Walker’s piece.

Tags: art · Kara Walker · remix · USA

💬 Join the discussion on kottke.org

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